lethargic_man: (reflect)
[personal profile] lethargic_man

I recently read Daniel Deronda, by George Eliot, after learning that it was what inspired Arthur Balfour to issue the Balfour Declaration. [livejournal.com profile] rysmiel asked for my reaction to it, so I thought I'd post the results here, in case anyone else was interested.

It was an interesting, if rather long, read. There are two intertwined threads, one concerning Gwendolen Harleth, a spoiled twenty year old deciding whether or not to marry Henleigh Grandcourt (only to have my expectations dashed when she does marry him less than halfway through - this turns out, not to the reader's surprise, to be a very bad decision indeed). The other concerns Daniel Deronda, who rescues a Jewish girl from drowning herself in the Thames, and, in the course of trying to help her track down her lost family, gets involved with a religious proto-Zionist. (Modern Zionism did not yet exist in 1865, when the story is set, but there were those who paved the way for it.)

Of course, the two characters encounter each other early on (actually, on the very first page, though there's over a hundred pages of backstory before we get back to that point in the chronology), and the two threads commentate on each other in ways which I would never have spotted had the introduction not pointed it out to me. Though from the introduction's description of many people up to FR Leavis wanting to ditch the Deronda story altogether, it seems I'm not the only one.

Actually, the commentary in this edition (Wordsworth Classic) was itself worthy of comment. General English and classical cultural references are all picked up and commented upon in the endnotes, but as regards all the Jewish stuff, the commentator's knowledge seems to be secondhand, and there's plenty of things he misses altogether, such as the composer and music teacher called Herr Klesmer, or midrashim inlined in the text.

Leaving aside the Victorian romance aspect of the book and concentrating on the Jewish half, it presents a varied panolpy of different Jewish character types - a great relief, of course, compared to how Jews were typically portrayed in fiction at the time. There is a family recognisable as what we'd call traditional today: they have a Friday night meal, but take their capels off after kiddush (though I can't be certain that wasn't usual at the time*), and after the meal the head of the household completes a business deal with Daniel Deronda, on Shabbos! We have the religious quasi-prophet. We have those who would assimilate completely, and those who would reject their Jewish heritage as narrowminded and a fetter. We even have a Jewish princess, though in the literal rather than the modern sense of the term. And, as I'm sure will delight [livejournal.com profile] livredor, at one stage we have the characters sitting around discussing the meaning of a particular midrash.

We also see a variety of attitudes of the general populace, from those who refer to Mirah as a "bigoted Jewess"—to understand which, I had to place myself in the Victorian mindset—to the teenage girls who know so little about Judaism they think that Jews reject the Old Testament, because it proves the New.

One thing that is missing a little is representation of the variety of denominations in Anglo-Jewry (though there is a reference to Reform Judaism when Deronda is in Germany), or of the distinction between Sephardim (Jews of Spanish/Portuguese descent, who were the first to resettle this country (from the Netherlands) after the Jews were readmitted to it) and Ashkenazim from Germany and Eastern Europe, whose "flavour" of Judaism is rather different. Today, Sephardim are a small minority here, after the country got flooded in the 1880s and 1890s by refugees from the pogroms in eastern Europe; in the 1870s when the novel was written, the balance would have been different, and it was mildly disappointing only to see the faintest of refernces to this, though I suppose I couldn't have everything, particularly in a book by a non-Jewish author.

* [Footnote extracted from relevant email, so [livejournal.com profile] livredor and [livejournal.com profile] rysmiel will have seen this already.] I was surprised to see Louis Jacobs (the founder of the Masorti movement in this country at the start of the sixties) speaking at the Maimonides one-day seminar I went to a few weeks ago bareheaded. The only rabbis I've ever seen before bareheaded were Reform ones, but Jacobs is a product of the Orthodox yeshiva world. I'd thought the custom of covering the head had become universal by the time of Maimonides (eight hundred years ago), but when I asked R. Jacobs about it, he said the disciples of Samson Raphael Hirsch were still debating whether the head had to be covered when not praying in the middle of the nineteenth century. (I gather the custom of covering the head at all times was because one could refer to G-d in conversation at any time.)

Date: 2005-09-01 09:55 pm (UTC)
liv: Bookshelf labelled: Caution. Hungry bookworm (bookies)
From: [personal profile] liv
RB told me that there's a contemporary novel, treating similar themes, which was actually written by a Jew. The novel is Reuben Sachs, and I feel I have to read it! As for Daniel Deronda itself, it's been a long time since I've read it so I'd have to reread before I could comment in detail. But I will say I'm fairly surprised that you enjoyed it, given that it is long and Victorian and rambling and character-centred and rather more feminine than a lot of stuff you like.

Date: 2005-09-01 09:59 pm (UTC)
From: [identity profile] lethargic-man.livejournal.com
I didn't say I liked it, I said I found it interesting. :o)

Date: 2005-09-02 02:00 pm (UTC)
From: [identity profile] rysmiel.livejournal.com
To be fair, I think my twitch against picking this up is from having had to do Silas Marner for the Leaving Cert, and being incredibly put off George Eliot thereby.

Date: 2005-09-02 02:14 pm (UTC)
From: [identity profile] lethargic-man.livejournal.com
All I know about Silas Marner is that whatsername in I Capture the Castle had to do it for school and hated it.

I suspect both of you were too young at the time for your personality types to appreciate it.

covering head with Kippa

Date: 2005-09-06 03:52 pm (UTC)
From: (Anonymous)
I read in Louis Jacobs book "The book of Jewish practice" that head covering with a Kippa became common in the 12th century. As I remember it they actually wear it in Shul only. It became more and more common later to wear at any other time as well.
The book was otherwise too basic for me as an advanced learner. This was the only new thing for me.

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